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home·artworks·On the Caucasus Mountains
On the Caucasus Mountains by Lev Lagorio

plate no. 6157

On the Caucasus Mountains

Lev Lagorio, 1879

oil, canvasRomanticismlandscapemountainslandscaperiverfiguresskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also learn to mix subtle color variations to depict light and shadow on complex forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, river, and main foreground elements.

  2. step 02

    Establish the sky and distant mountains with thin washes of blue and gray, creating a sense of atmospheric perspective.

  3. step 03

    Block in the large shapes of the mountains and foreground hill using darker values of brown and green.

  4. step 04

    Begin layering details on the mountains, adding highlights and shadows to define the rock formations.

  5. step 05

    Paint the river using varying shades of blue and gray, reflecting the sky and surrounding landscape.

  6. step 06

    Add details to the foreground hill, including the tower, trees, and figures.

  7. step 07

    Refine the details of the figures and foliage, paying attention to light and shadow.

  8. step 08

    Add final highlights and details to enhance the overall sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · sap green · raw sienna

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and white for the rocks, adding touches of green and sienna for variation. Mix greens with yellow ochre and blue for foliage.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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