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home·artworks·On the Canal
On the Canal by Theodore Robinson

plate no. 7373

On the Canal

Theodore Robinson, 1893

oilImpressionismlandscapecanalskycloudstreespathbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and the main shapes of the canal, path, and buildings.

  2. step 02

    Block in the sky with light blue and white, creating soft, fluffy clouds using short, broken brushstrokes.

  3. step 03

    Establish the basic values of the landscape, using darker greens and browns for the trees and lighter tones for the path and canal banks.

  4. step 04

    Add the water, reflecting the sky and surrounding landscape with horizontal brushstrokes.

  5. step 05

    Paint the buildings and fences, paying attention to their perspective and simplified forms.

  6. step 06

    Introduce variations in color and texture to the foliage, using dabs of green, yellow, and brown.

  7. step 07

    Refine the details of the path and canal banks, adding small touches of color to suggest wildflowers and grasses.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · sap green · cadmium yellow light · alizarin crimson

Mix greens by combining blue and yellow, and use white to lighten values. Create atmospheric perspective by adding blue to distant colors.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Ignoring the importance of value relationships.
  • →Failing to capture the light and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a limited palette to achieve color harmony. Consider using a toned canvas to establish a mid-tone ground.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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