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home·artworks·On the Bench
On the Bench by Edouard Manet

plate no. 1465

On the Bench

Edouard Manet, 1879

pastel, paperImpressionismportraitportraitwomanhatflowersbenchgarden
some experience helpful

Recreating this painting will help students develop skills in capturing likeness with loose strokes and understanding color temperature to create depth. It also provides practice in suggesting details rather than rendering them precisely.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the woman, hat, and background elements.

  2. step 02

    Block in the main color areas with broad strokes, focusing on the overall value structure.

  3. step 03

    Develop the skin tones, paying attention to the subtle shifts in color and light.

  4. step 04

    Add details to the hat, using short, broken strokes to create texture and form.

  5. step 05

    Define the features of the face, using soft lines and subtle shading.

  6. step 06

    Suggest the foliage and flowers in the background with loose, gestural marks.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · viridian green · rose madder · ultramarine blue

Mix skin tones by blending white, yellow ochre, and a touch of rose madder. Achieve greens by mixing yellow ochre and viridian, and vary the shades by adding ultramarine blue.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·color temperature
  • ·hatching

common pitfalls

  • →Overworking the details and losing the freshness of the original.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the subtle shifts in value and color.
  • →Ignoring the importance of negative space.

materials

surface · pastel paper

required

  • ·pastel sticks
  • ·pastel paper
  • ·kneaded eraser
  • ·fixative spray
  • ·soft blending stumps
  • ·palette
  • ·paper towels

optional

  • ·workable fixative
  • ·pastel pencils
  • ·easel

Choose a pastel paper with a slightly textured surface to grip the pastel. Use workable fixative sparingly to prevent buildup.

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related guides

color theory for painters →how to learn by studying the masters →
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