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home·artworks·On the barricades on the Rue Soufflot, Paris, 25 June 1848
On the barricades on the Rue Soufflot, Paris, 25 June 1848 by Horace Vernet

plate no. 2131

On the barricades on the Rue Soufflot, Paris, 25 June 1848

Horace Vernet, 1849

oilRomanticismgenre paintingfiguressoldiersbuildingbarricadesmokeflag
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and creating atmospheric perspective using layers of color and value. It's also a good exercise in understanding how to suggest detail rather than rendering every element precisely.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of key figures and the building.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the building, sky, and ground.

  3. step 03

    Establish the darkest darks and lightest lights to create a sense of depth and drama.

  4. step 04

    Start adding details to the figures in the foreground, paying attention to their poses and expressions.

  5. step 05

    Gradually add more detail to the background figures, using softer edges and less contrast to create atmospheric perspective.

  6. step 06

    Refine the details of the barricade, adding texture and variation to the stones and debris.

  7. step 07

    Add highlights and shadows to create a sense of form and volume.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · raw umber · ivory black · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Use raw umber and ivory black mixed with white for the overall neutral tones. Add touches of cadmium red for the flag and blood. Mix ultramarine blue and yellow ochre with white for the sky and atmospheric haze.

techniques

  • ·underpainting
  • ·grisaille
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting and losing the sense of spontaneity.
  • →Inconsistent brushwork.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a toned ground to speed up the painting process.

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