
plate no. 0582
James Hamilton, 1856
Recreating this painting will help students develop skills in creating atmospheric perspective and using a limited palette to achieve tonal harmony. It's also a good exercise in capturing the mood of a landscape through expressive brushwork.
technical profile
approach — 8 steps
Lightly sketch the basic composition: horizon line, the large hill, and the placement of figures.
Block in the sky with light gray washes, varying the tones to suggest clouds.
Establish the dark mass of the hill using a dark gray/black mix, leaving some areas lighter to suggest form.
Paint the foreground with horizontal strokes, varying the tones to create a sense of depth and texture.
Add the distant buildings with very light gray washes, keeping them soft and indistinct.
Define the figures with small, dark strokes, paying attention to their relative scale.
Refine the cloud formations with subtle variations in tone and texture.
Add final details and highlights to the foreground and hill to enhance the sense of depth and realism.
color palette
primary · ivory black · titanium white
secondary · raw umber · payne's gray
Mix varying shades of gray by combining black and white. Use raw umber to warm the grays slightly for the foreground. Payne's gray can be used to deepen the shadows in the sky and hill.
techniques
common pitfalls
surface · stretched canvas
required
optional
A toned canvas (light gray or raw umber) can be helpful for establishing the overall tonal range of the painting.
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