apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·On a French River
On a French River by Frits Thaulow

plate no. 2793

On a French River

Frits Thaulow, 1893

oil, canvasImpressionismlandscaperivertreeslandscapewaterfoliagereflections
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for subtle variations, and capturing the movement of water through brushwork. It also provides practice in simplifying complex natural scenes into manageable shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the river's curve and the placement of the trees and foliage.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint, focusing on the dominant purplish-brown hue.

  3. step 03

    Block in the sky and distant landscape with soft, blended colors, paying attention to atmospheric perspective.

  4. step 04

    Paint the trees and foliage, using darker values and varied brushstrokes to create texture and depth.

  5. step 05

    Focus on the water, capturing the reflections and movement with horizontal and broken brushstrokes.

  6. step 06

    Add highlights and details to the water and foliage to create visual interest.

  7. step 07

    Refine the edges and shapes, softening or sharpening them as needed to create a sense of depth and realism.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the color harmony.

color palette

primary · ultramarine blue · burnt umber · titanium white · alizarin crimson

secondary · yellow ochre · sap green

Achieve the dominant purplish-brown by mixing ultramarine blue, burnt umber, and alizarin crimson. Add white to lighten the values and yellow ochre or sap green to create variations in the foliage and landscape.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a clear value structure, resulting in a flat and lifeless painting.
  • →Ignoring the subtle color variations in the water and foliage, leading to a monotonous result.
  • →Getting bogged down in details too early, before establishing the overall composition and color scheme.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann