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home·artworks·Omnibus on the place de la Madeleine, Winter
Omnibus on the place de la Madeleine, Winter by Antoine Blanchard

plate no. 4703

Omnibus on the place de la Madeleine, Winter

Antoine Blanchard

oilImpressionismcityscapecityscapebuildingssnowfigurescarriagestrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effects of light on wet surfaces. It also provides practice in rendering complex architectural details in a loose, impressionistic style.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of buildings and the horizon line.

  2. step 02

    Establish the sky with a blend of grays, blues, and a hint of orange near the horizon.

  3. step 03

    Block in the large shapes of the buildings using muted tones of gray, brown, and white.

  4. step 04

    Add the snow on the rooftops and branches with thick, textured brushstrokes.

  5. step 05

    Paint the figures and carriages in the foreground, paying attention to their relative sizes and positions.

  6. step 06

    Create the reflections on the wet street using horizontal strokes of varying colors.

  7. step 07

    Add details such as windows, streetlights, and tree branches.

  8. step 08

    Refine the overall composition and add highlights to create a sense of depth and atmosphere.

color palette

primary · titanium white · payne's gray · raw umber · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium yellow

Mix various shades of gray by combining white, Payne's gray, and a touch of raw umber. Use burnt sienna and cadmium yellow sparingly to create warm highlights and accents.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast and flattening the image.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated and unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for textured brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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