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home·artworks·Old Woman Peeling An Orange
Old Woman Peeling An Orange by Edward E. Simmons

plate no. 9510

Old Woman Peeling An Orange

Edward E. Simmons

oilImpressionismgenre paintingfigurewomandoorwayinteriororangechair
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on a figure and creating a sense of depth through tonal variations. It also provides practice in depicting textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figure and major shapes.

  2. step 02

    Block in the large areas of color, starting with the darkest values.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the figure and surrounding objects.

  4. step 04

    Develop the details of the face and hands, paying attention to the subtle variations in tone.

  5. step 05

    Add texture to the clothing, walls, and floor using visible brushstrokes.

  6. step 06

    Refine the edges of the shapes and blend the colors where necessary.

  7. step 07

    Add the final details, such as the orange and the details of the doorway.

  8. step 08

    Check for accuracy and make any necessary adjustments.

color palette

primary · ivory black · yellow ochre · raw umber

secondary · titanium white · burnt sienna

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre and burnt sienna to create the warm tones of the orange and the highlights on the clothing.

techniques

  • ·chiaroscuro
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong light source.
  • →Not paying attention to the subtle variations in tone.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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