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Old woman by Giuseppe Tominz

plate no. 3277

Old woman

Giuseppe Tominz, 1840

oil, canvasRomanticismportraitportraitfigureclothinglacejewelryheadwear
some experience helpful

This painting provides an opportunity to practice portraiture, including capturing likeness and rendering realistic skin tones. Students can also develop skills in depicting fabric textures and details, such as lace and folds.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background color with a thin wash of muted green and brown tones.

  3. step 03

    Block in the main shapes of the figure, focusing on the dark areas of the clothing and hair.

  4. step 04

    Begin to refine the facial features, paying close attention to the values and subtle color variations in the skin.

  5. step 05

    Add the details of the lace collar and headwear, using small brushes to create the intricate patterns.

  6. step 06

    Paint the jewelry and other accessories, capturing their reflective qualities and textures.

  7. step 07

    Refine the folds and shadows in the clothing, adding depth and dimension to the figure.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · alizarin crimson · yellow ochre · ultramarine blue

Mix skin tones by blending white, raw umber, burnt sienna, and small amounts of alizarin crimson and yellow ochre. Achieve the dark tones of the clothing by mixing ivory black with raw umber and a touch of ultramarine blue. Muted greens are created by mixing raw umber, yellow ochre, and a small amount of ultramarine blue.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details before establishing the overall values.
  • →Using colors that are too bright or saturated.
  • →Failing to capture the subtle nuances of skin tone.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for this project.

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oil painting for beginners →how to learn by studying the masters →
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