
plate no. 3277
Giuseppe Tominz, 1840
This painting provides an opportunity to practice portraiture, including capturing likeness and rendering realistic skin tones. Students can also develop skills in depicting fabric textures and details, such as lace and folds.
technical profile
approach — 8 steps
Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hands.
Establish the background color with a thin wash of muted green and brown tones.
Block in the main shapes of the figure, focusing on the dark areas of the clothing and hair.
Begin to refine the facial features, paying close attention to the values and subtle color variations in the skin.
Add the details of the lace collar and headwear, using small brushes to create the intricate patterns.
Paint the jewelry and other accessories, capturing their reflective qualities and textures.
Refine the folds and shadows in the clothing, adding depth and dimension to the figure.
Make final adjustments to the values and colors to create a cohesive and realistic portrait.
color palette
primary · ivory black · titanium white · raw umber · burnt sienna
secondary · alizarin crimson · yellow ochre · ultramarine blue
Mix skin tones by blending white, raw umber, burnt sienna, and small amounts of alizarin crimson and yellow ochre. Achieve the dark tones of the clothing by mixing ivory black with raw umber and a touch of ultramarine blue. Muted greens are created by mixing raw umber, yellow ochre, and a small amount of ultramarine blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for this project.
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