apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Old Woman Burning Leaves
Old Woman Burning Leaves by Frank O'Meara

plate no. 1971

Old Woman Burning Leaves

Frank O'Meara

oilImpressionismgenre paintingfigurelandscapewatertreesleavessmoke
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering subtle tonal variations to create a sense of depth and mood. It also provides practice in figure painting within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main landscape elements.

  2. step 02

    Establish the background with broad washes of color, creating the sky and distant landscape.

  3. step 03

    Block in the main shapes of the figure, paying attention to the proportions and pose.

  4. step 04

    Add the water and surrounding foliage, using loose brushstrokes to suggest texture.

  5. step 05

    Develop the details of the figure's face and hands, using subtle shading to create form.

  6. step 06

    Introduce the smoke and falling leaves, using light, airy brushstrokes to convey movement.

  7. step 07

    Refine the overall composition, adjusting the values and colors to create a harmonious effect.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · olive green · burnt umber · raw sienna

secondary · gray · yellow ochre · titanium white

Achieve the muted greens by mixing olive green, burnt umber, and a touch of yellow ochre. The atmospheric effects are created by layering thin washes of diluted paint, often with white added for opacity.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·tonal painting

common pitfalls

  • →Overworking the details, which can flatten the image and lose the impressionistic feel.
  • →Failing to establish a clear sense of depth, resulting in a flat and unconvincing landscape.
  • →Ignoring the subtle tonal variations, which are crucial for creating atmosphere and mood.
  • →Making the figure too stiff or unnatural, which can detract from the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x24 inches)
  • ·oil paints (olive green, burnt umber, raw sienna, yellow ochre, gray, titanium white)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann