apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Old Tree near Runswick, North Yorkshire
Old Tree near Runswick, North Yorkshire by William Gilbert Foster

plate no. 5186

Old Tree near Runswick, North Yorkshire

William Gilbert Foster

oilRomanticismlandscapetreelandscapeskyhillsfoliageclouds
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to depict atmospheric perspective. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the tree, hills, and sky, paying attention to the composition.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Begin building up the layers of color in the sky, blending the tones to create a sense of atmosphere.

  4. step 04

    Focus on the hills, using darker values in the distance to create depth and lighter values in the foreground.

  5. step 05

    Paint the tree trunk and branches, paying attention to the direction of light and shadow.

  6. step 06

    Add details to the foliage, using a variety of brushstrokes to create texture.

  7. step 07

    Refine the details and adjust the values as needed to create a cohesive and balanced painting.

  8. step 08

    Add final highlights to capture the light.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · raw sienna

Mix yellow ochre and burnt umber for the earth tones. Use ultramarine blue and white for the sky, adding a touch of burnt umber to grey it down. Mix raw sienna with burnt umber to get the darker tones of the tree.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors straight from the tube without mixing them.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth of color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke