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home·artworks·Old Tbilisi
Old Tbilisi by Lev Lagorio

plate no. 0104

Old Tbilisi

Lev Lagorio, 1868

oil, canvasRomanticismlandscapecityscapemountainsriverbuildingsskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering to create depth. It also provides practice in rendering architectural details and natural forms with subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, river, and city elements.

  2. step 02

    Establish the sky with a gradient of light blue and yellow, blending smoothly.

  3. step 03

    Block in the distant mountains with pale purples and grays, paying attention to atmospheric perspective.

  4. step 04

    Paint the river with varying shades of blue and green, reflecting the sky and surrounding landscape.

  5. step 05

    Begin adding details to the city, starting with the larger buildings and gradually adding smaller details.

  6. step 06

    Focus on the cliff face, using browns, ochres, and grays to create texture and depth.

  7. step 07

    Add figures and boats to the river to create a sense of scale and activity.

  8. step 08

    Refine details and adjust values to create a cohesive and atmospheric landscape.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · raw sienna · cadmium red

Mix blues and yellows with white for the sky and river. Use burnt umber and raw sienna for earth tones. Add small amounts of red to browns for the buildings and cliffs.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·glazing
  • ·color mixing

common pitfalls

  • →overworking details in the distant mountains
  • →creating too much contrast in the foreground
  • →using colors that are too saturated
  • →losing the sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·photo reference

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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