apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Old Sarum
Old Sarum by John Constable

plate no. 4409

Old Sarum

John Constable, 1834

watercolor, paperRomanticismlandscapelandscapeskycloudshillfiguretrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a landscape through subtle color variations and dynamic cloud formations. It also provides practice in rendering figures and details within a broader landscape context.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line, the shape of the hill, and the placement of the figure.

  2. step 02

    Establish the sky with broad washes of diluted blues, purples, and grays, creating a sense of depth and movement in the clouds.

  3. step 03

    Paint the distant landscape with muted colors, gradually increasing the intensity of colors as you move towards the foreground.

  4. step 04

    Define the shape of the hill with subtle variations in tone and color, suggesting the texture of the grass and the presence of trees.

  5. step 05

    Add the dark band of trees in the middle ground, using a slightly darker and more saturated palette.

  6. step 06

    Paint the foreground with a mix of browns, greens, and yellows, adding details such as the path, the figure, and the sheep.

  7. step 07

    Refine the details of the clouds and the landscape, adding highlights and shadows to create a sense of depth and realism.

  8. step 08

    Add final touches, such as subtle glazes to unify the colors and create a sense of atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · payne's gray

Mix blues and browns with white to create the various shades of gray and purple in the sky. Use yellow ochre and raw sienna to add warmth to the foreground and distant landscape.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·glazing
  • ·layering

common pitfalls

  • →Overworking the details in the foreground, which can distract from the overall composition.
  • →Failing to create a sense of depth and atmosphere in the sky.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Ignoring the importance of value contrast in creating a sense of form and depth.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·masking tape
  • ·kneaded eraser

optional

  • ·palette knife
  • ·watercolor pencils
  • ·gouache

Use high-quality watercolor paints and paper for best results. Experiment with different brush sizes and techniques to achieve the desired effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke