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home·artworks·Old Neighbor Gone Bye
Old Neighbor Gone Bye by Arthur Hughes

plate no. 6693

Old Neighbor Gone Bye

Arthur Hughes

oilRomanticismgenre paintingfiguresstreet scenebuildingstairscobblestoneclothing
some experience helpful

Recreating this painting will help students develop skills in rendering figures with realistic proportions and capturing subtle color variations in clothing and architectural details. It also provides practice in creating atmospheric perspective to suggest depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the background and figures.

  3. step 03

    Begin building up the forms of the figures and buildings with layers of paint, gradually adding details and highlights.

  4. step 04

    Focus on capturing the subtle color variations in the clothing and skin tones, using a variety of blending techniques.

  5. step 05

    Pay attention to the direction of light and shadow, using it to create depth and dimension.

  6. step 06

    Add details to the cobblestone street, varying the size and shape of the stones to create a sense of realism.

  7. step 07

    Refine the details of the faces, paying attention to the expressions and features.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red light · viridian

Mix various shades of gray and brown for the stone buildings and street. Use ultramarine blue and burnt umber to create a range of greens for the clothing. Add small amounts of cadmium red light to white for the skin tones.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of light and shadow.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the subtle color variations in the clothing and skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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