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home·artworks·Old Mill, Pelago, Italy
Old Mill, Pelago, Italy by Willard Metcalf

plate no. 6089

Old Mill, Pelago, Italy

Willard Metcalf, 1913

oilImpressionismlandscapebuildingslandscapetreeswaterfigureshills
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to represent distance. It also provides practice in capturing the play of light on different surfaces.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, trees, and water.

  2. step 02

    Establish the main color blocks for the sky, hills, buildings, and water with thin washes.

  3. step 03

    Begin layering colors on the buildings to create form and texture, using a variety of warm and cool tones.

  4. step 04

    Develop the trees, paying attention to the branches and foliage, using short, broken brushstrokes.

  5. step 05

    Paint the water, suggesting movement and reflections with horizontal strokes and varying values.

  6. step 06

    Add details to the figures and other elements, refining the shapes and colors.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to capture the light and texture.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · sap green · cadmium yellow · raw umber

Mix various shades of green by combining blue and yellow, and create warm grays by mixing complementary colors like burnt sienna and ultramarine blue. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·wet-on-dry

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors straight from the tube without mixing, resulting in a flat and unnatural look.
  • →Ignoring the importance of value contrast in creating depth and form.
  • →Failing to capture the movement and fluidity of the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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