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home·artworks·Old House, Point Pleasant
Old House, Point Pleasant by Fern Coppedge

plate no. 6545

Old House, Point Pleasant

Fern Coppedge

oilImpressionismlandscapehousetreessnowwinterlandscaperiver
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective in a winter landscape. It also provides practice in painting bare tree branches and capturing the subtle color variations in snow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition: house, trees, river, and background hills.

  2. step 02

    Block in the main color areas with thin washes, focusing on overall color temperature.

  3. step 03

    Start layering colors on the house, using yellows, oranges, and browns to create the wood texture.

  4. step 04

    Paint the snow, using blues, purples, and whites to capture the shadows and highlights.

  5. step 05

    Add details to the trees, focusing on the shapes and angles of the branches.

  6. step 06

    Refine the background hills and sky, using soft, blended colors to create depth.

  7. step 07

    Add final details such as windows, chimneys, and wood pile.

  8. step 08

    Review and adjust colors and values to achieve a cohesive and balanced composition.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt sienna

secondary · alizarin crimson · sap green · purple · raw umber

Mix blues and purples with white to create the cool tones of the snow. Use yellow ochre and burnt sienna to create the warm tones of the house. Mix blues and browns to create the tree bark.

techniques

  • ·broken color
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Using too much pure white for the snow
  • →Ignoring the subtle color variations in the shadows
  • →Not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·turpentine or mineral spirits (for oil paint cleanup)

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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