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home·artworks·Old gates. Vel. Normandy.
Old gates. Vel. Normandy. by Vasily Polenov

plate no. 9793

Old gates. Vel. Normandy.

Vasily Polenov, 1874

oilRomanticismlandscapetreesgateslandscapefoliagefigurefield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering textures of brick, foliage, and grass with loose brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the gates, trees, and horizon line.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color for the sky, field, and foliage.

  3. step 03

    Begin layering in the darker values to create depth and form, especially in the trees and foreground.

  4. step 04

    Add details to the brick gates, using short, broken brushstrokes to suggest texture.

  5. step 05

    Develop the foliage and grass with a variety of greens, yellows, and browns, using loose, expressive brushstrokes.

  6. step 06

    Introduce the figure, paying attention to its placement and proportion within the landscape.

  7. step 07

    Refine the details and add highlights to create a sense of light and atmosphere.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and harmonious composition.

color palette

primary · burnt umber · yellow ochre · titanium white · Prussian blue

secondary · cadmium yellow · alizarin crimson · sap green

Mix various shades of green by combining yellow ochre, Prussian blue, and a touch of burnt umber. Achieve the brick color by mixing burnt umber with alizarin crimson and a touch of yellow ochre.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating too much contrast and flattening the sense of depth.
  • →Using colors that are too saturated and unnatural.
  • →Neglecting the importance of atmospheric perspective in creating distance.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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