apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Old factory on the Somme (Evening)
Old factory on the Somme (Evening) by Frits Thaulow

plate no. 7491

Old factory on the Somme (Evening)

Frits Thaulow, 1906

oilImpressionismcityscapebuildingwaterriverskycityscapefactory
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, rendering reflections in water, and capturing the texture of aged buildings.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, river, and horizon line.

  2. step 02

    Establish the overall warm color tone with a thin wash of burnt sienna and yellow ochre.

  3. step 03

    Block in the large areas of color for the building, water, and sky, focusing on value relationships.

  4. step 04

    Develop the details of the building, including windows, brickwork, and signage.

  5. step 05

    Add the reflections in the water, paying attention to distortion and color variations.

  6. step 06

    Create the texture of the water with short, broken brushstrokes.

  7. step 07

    Refine the sky and add subtle color variations to create atmospheric perspective.

  8. step 08

    Add final details and highlights to enhance the overall impression.

color palette

primary · burnt sienna · yellow ochre · titanium white

secondary · ultramarine blue · raw umber · cadmium yellow

Achieve the warm, muted tones by mixing burnt sienna with yellow ochre and small amounts of ultramarine blue. Use titanium white to lighten values and create highlights.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details of the building too early.
  • →Failing to capture the subtle color variations in the water.
  • →Creating reflections that are too symmetrical or uniform.
  • →Ignoring the atmospheric perspective and making the distant elements too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a medium-grain canvas to capture the texture of the painting. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann