apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Old Chelsea, New York
Old Chelsea, New York by Walter Battiss

plate no. 2003

Old Chelsea, New York

Walter Battiss

oilImpressionismcityscapecityscapebuildingsrooftopsfiguresskyscrapers
some experience helpful

Recreating this painting will help students develop skills in watercolor washes and creating depth through layering. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings.

  2. step 02

    Start with a very diluted wash of the lightest color (e.g., raw sienna) across the entire paper.

  3. step 03

    Layer in slightly darker washes to define the shapes of the buildings, leaving some areas white for highlights.

  4. step 04

    Add details like windows and architectural features with a slightly darker shade.

  5. step 05

    Paint the figures on the rooftops, keeping them simple and stylized.

  6. step 06

    Use dry brush technique to add texture to the rooftops and buildings.

  7. step 07

    Add the darkest values to create contrast and define the shadows.

  8. step 08

    Refine details and adjust values as needed.

color palette

primary · raw sienna · burnt umber · ivory black

secondary · payne's gray

Mix raw sienna with varying amounts of burnt umber to create different shades of brown. Add a touch of ivory black or payne's gray to darken the values further.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·negative painting
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting with too many details.
  • →Using too much water and losing control of the washes.
  • →Making the values too uniform and lacking contrast.
  • →Not planning the composition before starting to paint.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round watercolor brushes (sizes #4, #8)
  • ·water container
  • ·palette
  • ·masking tape
  • ·pencil

optional

  • ·palette knife
  • ·ruler
  • ·kneaded eraser

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve different effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann