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home·artworks·Old Bucharest Seen from Sf. Spiridon
Old Bucharest Seen from Sf. Spiridon by Lucian Grigorescu

plate no. 7835

Old Bucharest Seen from Sf. Spiridon

Lucian Grigorescu

oilImpressionismcityscapecityscapebuildingsskyvegetationarchitectureflag
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and capturing the essence of a scene rather than precise details. It's a good exercise in color mixing and creating depth through layering.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the buildings and landscape.

  2. step 02

    Block in the main color areas with thin washes, focusing on overall tones.

  3. step 03

    Begin layering thicker paint, using visible brushstrokes to define forms.

  4. step 04

    Mix colors directly on the canvas to achieve a lively, impressionistic effect.

  5. step 05

    Add details like windows and architectural features with small, deliberate strokes.

  6. step 06

    Pay attention to the light and shadow to create depth and dimension.

  7. step 07

    Refine the foreground vegetation with varied greens and blues.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · yellow ochre · raw umber · titanium white · cerulean blue

secondary · cadmium red · viridian green · ultramarine blue

Achieve the muted greens by mixing yellow ochre with viridian green and a touch of raw umber. Vary the browns by mixing raw umber with cadmium red or yellow ochre. Lighten colors with titanium white, being careful not to make them too stark.

techniques

  • ·impasto
  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing.
  • →Creating muddy colors by over-blending.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes size 4 and 8
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a limited palette to encourage color mixing and harmony. Consider using a toned canvas to create a more unified base.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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