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home·artworks·Old Brewery, Sennybridge
Old Brewery, Sennybridge by David Davies

plate no. 0235

Old Brewery, Sennybridge

David Davies

oilImpressionismlandscapebuildingwatertreeslandscapefoliageriver
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture the effects of light on different surfaces. It also provides practice in simplifying complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the building, the river, and the large tree.

  2. step 02

    Block in the basic colors of the sky and water with thin washes.

  3. step 03

    Establish the dark values of the tree and shadows on the building.

  4. step 04

    Begin adding layers of short, broken brushstrokes to build up texture and color variation in the foliage and water.

  5. step 05

    Mix and apply subtle color variations to the building to suggest form and light.

  6. step 06

    Add highlights to the water and foliage to create a sense of depth and movement.

  7. step 07

    Refine the details of the building and tree, paying attention to the direction of light.

  8. step 08

    Add final touches and adjust values as needed to create a cohesive composition.

color palette

primary · titanium white · viridian green · yellow ochre · ultramarine blue

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix greens by combining blues and yellows, and use white to create lighter tints. Create muted tones by mixing complementary colors (e.g., blue and orange).

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·color layering

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the direction of light and its effect on color.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·acrylic or oil paints
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·apron

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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