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home·artworks·Old Barn (formerly back of Dulwich Gallery)
Old Barn (formerly back of Dulwich Gallery) by Graham Bell

plate no. 5905

Old Barn (formerly back of Dulwich Gallery)

Graham Bell

oilNeo-Romanticismlandscapebarntreeslandscapebuildingfoliagesky
some experience helpful

This painting is great for practicing atmospheric perspective and creating depth through layering and tonal variations. Students will also learn how to suggest detail rather than rendering every element precisely.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the barn, trees, and horizon line with light pencil strokes.

  2. step 02

    Establish the sky with a thin wash of yellow and ochre, blending to create a soft gradient.

  3. step 03

    Block in the large masses of the trees and foliage with varying shades of green and brown.

  4. step 04

    Paint the barn structure, focusing on the darker tones and shadows to define its form.

  5. step 05

    Add details to the roof, using reds and browns to create texture and variation.

  6. step 06

    Develop the foreground with earth tones, suggesting grass and vegetation with loose brushstrokes.

  7. step 07

    Refine the details of the barn and surrounding elements, adding highlights and shadows to create depth.

  8. step 08

    Add final touches, such as small details in the foreground and subtle variations in the sky.

color palette

primary · burnt umber · yellow ochre · sap green

secondary · titanium white · cadmium red · ultramarine blue

Mix greens by combining yellow ochre and ultramarine blue, adjust with white for lighter tones. Achieve the roof color by mixing cadmium red and burnt umber.

techniques

  • ·layering
  • ·atmospheric perspective
  • ·tonal gradation
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast, resulting in a harsh and unnatural look.
  • →Ignoring the subtle color variations in the trees and foliage.
  • →Making the foreground too detailed and distracting from the main subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·round brushes (#2, #6)
  • ·flat brush (#8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to allow for better paint adhesion and blending.

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oil painting for beginners →how to learn by studying the masters →
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