apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Okhotino.September
Okhotino.September by Konstantín Korovin

plate no. 3079

Okhotino.September

Konstantín Korovin, 1915

oilImpressionismlandscapelandscapeskycloudsbuildingfieldvegetation
some experience helpful

This painting is great for learning how to create atmospheric perspective and how to suggest form with loose brushstrokes. Students can practice color mixing to achieve the muted tones and subtle variations in the sky and landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, horizon line, and major cloud formations.

  2. step 02

    Block in the sky with broad strokes, using a mix of blues, purples, and whites. Pay attention to the value changes to create depth.

  3. step 03

    Establish the base color of the field, using muted browns and grays. Vary the color slightly to suggest texture and undulation.

  4. step 04

    Paint the building, focusing on the shapes and angles. Use darker values for the shadows and lighter values for the highlights.

  5. step 05

    Add the vegetation in the foreground, using a mix of greens, yellows, and oranges. Use broken brushstrokes to create a sense of texture.

  6. step 06

    Refine the clouds, adding more detail and definition. Use a dry brush technique to create a sense of atmosphere.

  7. step 07

    Add final details, such as the fence posts and any other small elements.

  8. step 08

    Review and adjust the overall composition, making sure that the values and colors are balanced.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · violet

Mix blues and whites for the sky, adding small amounts of violet or raw umber to create muted tones. Use yellow ochre and burnt sienna for the vegetation, mixing with white to lighten the values.

techniques

  • ·broken color
  • ·dry brush
  • ·atmospheric perspective
  • ·color mixing
  • ·blocking in

common pitfalls

  • →Overworking the details
  • →Using colors that are too saturated
  • →Ignoring the value structure
  • →Not creating enough depth in the sky

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·#6 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann