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home·artworks·Oh Liberté ! Que De Crimes on Commet En Ton Nom ! (détail)
Oh Liberté ! Que De Crimes on Commet En Ton Nom ! (détail) by Laslett John Pott

plate no. 8032

Oh Liberté ! Que De Crimes on Commet En Ton Nom ! (détail)

Laslett John Pott, 1874

oilRomanticismhistory paintingfigureshorsebuildingcrowdhistorical scenecarriage
experienced study

Recreating this painting will help students develop skills in figure painting, rendering fabrics, and creating atmospheric perspective. It also provides practice in capturing emotional expression through pose and lighting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and proportions of the figures and main elements.

  2. step 02

    Block in the main color masses using thin washes of color, focusing on the overall value structure.

  3. step 03

    Develop the background details, paying attention to atmospheric perspective and softening edges.

  4. step 04

    Refine the figures, starting with the larger forms and gradually adding details and highlights.

  5. step 05

    Focus on capturing the likeness and emotional expression of the figures, especially their faces.

  6. step 06

    Render the fabrics and textures of the clothing, using a variety of brushstrokes and techniques.

  7. step 07

    Add final details and highlights to create depth and realism.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust the overall tone.

color palette

primary · raw umber · yellow ochre · ivory black · titanium white

secondary · burnt sienna · cadmium yellow · ultramarine blue

Achieve the muted tones by mixing earth tones with white and small amounts of blue or yellow. Use glazes of burnt sienna to add warmth and depth.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking details too early
  • →Incorrect proportions of figures
  • →Muddying colors by overmixing
  • →Ignoring atmospheric perspective
  • →Failing to capture the emotional expression

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, yellow ochre, ivory black, titanium white, burnt sienna, cadmium yellow, ultramarine blue)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags or paper towels

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)
  • ·Mahogany panel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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