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home·artworks·Officer of Chasseurs of the Imperial Guard
Officer of Chasseurs of the Imperial Guard by Théodore Géricault

plate no. 4172

Officer of Chasseurs of the Imperial Guard

Théodore Géricault

oilRomanticismportraitportraitmanmilitaryhatfurclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering light and shadow on the face. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of features.

  2. step 02

    Establish the background with broad, loose strokes of dark browns and greens.

  3. step 03

    Block in the main shapes of the face with a mid-tone flesh color.

  4. step 04

    Begin to define the light and shadow on the face, using darker and lighter values of the flesh tone.

  5. step 05

    Add details to the eyes, nose, and mouth, paying attention to subtle variations in color and value.

  6. step 06

    Paint the fur hat with short, choppy strokes of dark browns and blacks, suggesting texture and volume.

  7. step 07

    Render the clothing with similar loose brushwork, using a limited palette of browns and ochres.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · yellow ochre

secondary · ivory black · cadmium red light

Mix various shades of brown by combining burnt umber, raw sienna, and ivory black. Use titanium white to lighten these colors and create highlights. Add a touch of cadmium red light to warm up the flesh tones.

techniques

  • ·portrait drawing
  • ·chiaroscuro
  • ·alla prima
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to accurately capture the proportions of the face.
  • →Creating muddy colors by overmixing.
  • →Not creating enough contrast in values.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, yellow ochre, ivory black, cadmium red light)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·retouch varnish
  • ·easel

Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →how to learn by studying the masters →
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