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home·artworks·Off to the Hunt
Off to the Hunt by Heywood Hardy

plate no. 7262

Off to the Hunt

Heywood Hardy

oilRomanticismanimal paintinghorsesdogsfiguresbuildingtreeslandscape
experienced study

Recreating this painting will help students develop skills in depicting complex forms of animals and figures in a landscape setting, as well as understanding atmospheric perspective and color harmony.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on proportions and placement of figures, horses, and the building.

  2. step 02

    Block in the large areas of color, starting with the background and working towards the foreground.

  3. step 03

    Develop the values and forms of the horses and figures, paying attention to light and shadow.

  4. step 04

    Add details to the building, including windows, doors, and architectural features.

  5. step 05

    Paint the dogs, focusing on their anatomy and movement.

  6. step 06

    Refine the foliage and landscape elements, using broken brushstrokes to create texture.

  7. step 07

    Add highlights and details to the figures' clothing and accessories.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · ultramarine blue · sap green · ivory black

Achieve the warm tones of the horses and building by mixing burnt umber, yellow ochre, and cadmium red. Use ultramarine blue and sap green to create the cool tones of the foliage and sky. Vary the mixes with white to achieve different values.

techniques

  • ·blocking in
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of horses and figures.
  • →Overworking details too early.
  • →Muddying colors by overmixing.
  • →Failing to create a sense of depth.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color harmony.

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