apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·October (The Pumpkins)
October (The Pumpkins) by Carl Larsson

plate no. 5941

October (The Pumpkins)

Carl Larsson

oilArt Nouveau (Modern)genre paintingfiguregardenpumpkinsbuildingsfoliagewall
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape setting and capturing the subtle color variations in natural light. It's a good exercise in loose brushwork and creating depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, figure, garden bed.

  2. step 02

    Establish the horizon line and basic perspective.

  3. step 03

    Block in the main color areas: sky, buildings, foliage, figure's clothing.

  4. step 04

    Begin adding details to the buildings, focusing on the roof and wall textures.

  5. step 05

    Develop the figure, paying attention to the folds in the clothing and the shape of the basket.

  6. step 06

    Add details to the garden, including the pumpkins, leaves, and ground cover.

  7. step 07

    Refine the values and colors, adding highlights and shadows to create depth.

  8. step 08

    Add final details, such as the small plants in the foreground and the texture of the ground.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre · sap green

Achieve the muted tones by mixing complementary colors and adding white. Use raw umber and ultramarine blue for the figure's clothing. Mix burnt sienna and yellow ochre for the pumpkins.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details, losing the loose, painterly feel.
  • →Creating colors that are too saturated.
  • →Failing to establish a clear focal point.
  • →Not paying attention to the values, resulting in a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·round brushes size 2, 4, 6

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois