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home·artworks·October
October by Tetyana Yablonska

plate no. 7630

October

Tetyana Yablonska

oil, canvasImpressionisminteriorwindowcurtainsbalconytreeslightplant
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the effect of light filtering through different surfaces. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the window frame, curtains, and balcony.

  2. step 02

    Block in the main areas of color: the yellow of the trees, the blue-gray of the curtains, and the white of the window frame.

  3. step 03

    Begin layering colors within each area, using short, broken brushstrokes to create texture and variation.

  4. step 04

    Pay close attention to the way light affects the colors, adding highlights and shadows to create depth.

  5. step 05

    Refine the details of the balcony and the plant, using smaller brushes for precision.

  6. step 06

    Add final touches of color and texture to the trees and curtains.

  7. step 07

    Step back and assess the overall balance and harmony of the painting.

  8. step 08

    Make any necessary adjustments to the colors, values, or textures.

color palette

primary · yellow ochre · titanium white · ultramarine blue

secondary · raw umber · cadmium yellow light · sap green

Mix various shades of yellow and green for the trees, using white to lighten the colors and blue to create cooler tones. Achieve the gray-blue of the curtains by mixing ultramarine blue, white, and a touch of raw umber.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle variations in color and light.
  • →Making the colors too saturated and unrealistic.
  • →Neglecting the importance of the initial sketch and composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a quick-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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