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home·artworks·Obstruction, Box Hill
Obstruction, Box Hill by Jane Sutherland

plate no. 9412

Obstruction, Box Hill

Jane Sutherland, 1887

oilImpressionismlandscapetreesfigurelandscapegrassfencecow
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in using loose brushstrokes to suggest detail rather than precisely rendering it. It also provides practice in capturing atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, figure, and fence.

  2. step 02

    Establish the background sky and distant foliage with thin washes of color.

  3. step 03

    Block in the main shapes of the trees, using a mix of browns and greens.

  4. step 04

    Add the figure, focusing on the overall shape and color rather than precise details.

  5. step 05

    Develop the foreground grass with loose, textured brushstrokes, varying the colors to create depth.

  6. step 06

    Refine the details of the trees, adding branches and highlights.

  7. step 07

    Add the fence and cow in the background, keeping them soft and indistinct.

  8. step 08

    Adjust the values and colors throughout the painting to create a sense of harmony and atmosphere.

color palette

primary · burnt umber · yellow ochre · titanium white · sap green

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix greens by combining yellow ochre, sap green, and ultramarine blue. Achieve the pink of the dress by mixing alizarin crimson with titanium white. Browns are created with burnt umber and touches of yellow ochre.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and bright.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to help create texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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