apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·O Emigrante
O Emigrante by Jose Malhoa

plate no. 4544

O Emigrante

Jose Malhoa

oilImpressionismgenre paintingfigurelandscapehillsvillagefoliagepath
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex landscapes into manageable shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, the distant hills, and the foreground slope.

  2. step 02

    Establish the overall color tone with a thin wash of yellow ochre and raw umber.

  3. step 03

    Block in the large areas of color: greens for the foliage, browns for the earth, and lighter tones for the sky.

  4. step 04

    Develop the figure, paying attention to the folds of the clothing and the shadows.

  5. step 05

    Add details to the distant village, using small brushstrokes to suggest buildings and trees.

  6. step 06

    Create texture in the foreground with short, broken brushstrokes.

  7. step 07

    Refine the values and colors, adding highlights and shadows to create depth.

  8. step 08

    Add final details, such as the leaves in the foreground and the texture of the figure's clothing.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · sap green · burnt sienna · ultramarine blue

Mix greens by combining yellow ochre and ultramarine blue. Use white to lighten values and create highlights. Add small amounts of burnt sienna to darken and warm colors.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a clear value structure.
  • →Making the colors too saturated.
  • →Neglecting the atmospheric perspective, causing the distant elements to appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

A medium-textured canvas will work well for this painting. Use a limited palette to maintain color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann