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Nymphes by Wilhelm Kotarbinski

plate no. 3077

Nymphes

Wilhelm Kotarbinski

oilArt Nouveau (Modern)mythological paintingfigureswater liliesarchitecturefoliagenymphspond
some experience helpful

Recreating this painting will help students develop skills in painting figures in a landscape and creating atmospheric perspective through color and value variations. It also provides practice in capturing movement and gesture with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Block in the main areas of color, starting with the darkest values in the background and gradually working towards the lighter areas in the foreground.

  3. step 03

    Define the shapes of the figures with loose brushstrokes, paying attention to the proportions and gestures.

  4. step 04

    Add details to the architectural elements, such as the arches and columns, using a smaller brush.

  5. step 05

    Paint the water lilies and foliage, using a variety of greens and yellows to create depth and texture.

  6. step 06

    Refine the highlights and shadows on the figures and the surrounding landscape.

  7. step 07

    Add final details, such as the jewelry and clothing, using a fine brush.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · yellow ochre · raw umber · titanium white · viridian

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix various greens by combining viridian with yellow ochre and cadmium yellow. Use raw umber and alizarin crimson to create warm browns for the figures and architecture.

techniques

  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, painterly quality of the original.
  • →Failing to establish a strong value structure, resulting in a flat and uninteresting painting.
  • →Using colors that are too saturated, which can make the painting look artificial.
  • →Neglecting the importance of edges, which can make the painting look blurry or undefined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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oil painting for beginners →how to learn by studying the masters →
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