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home·artworks·Nuns in the Certosa Cloister, overlooking a Moonlit Sea towards the Faraglioni, Capri
Nuns in the Certosa Cloister, overlooking a Moonlit Sea towards the Faraglioni, Capri by Franz Ludwig Catel

plate no. 7060

Nuns in the Certosa Cloister, overlooking a Moonlit Sea towards the Faraglioni, Capri

Franz Ludwig Catel, 1823

oil, canvasRomanticisminteriornunscloistermoonlit seaarchesarchitecturelandscape
some experience helpful

This painting offers a great opportunity to practice atmospheric perspective and rendering subtle gradations of light and shadow. Students can also learn to create depth through layering and careful color mixing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the arches and the placement of the figures.

  2. step 02

    Block in the main areas of color, starting with the darkest tones in the interior and the sky.

  3. step 03

    Develop the values within the arches, creating a sense of depth and shadow.

  4. step 04

    Paint the moonlit sea, focusing on the reflections and the highlights on the waves.

  5. step 05

    Add details to the figures, paying attention to the folds in their robes and the subtle variations in color.

  6. step 06

    Refine the details of the architecture and the landscape, adding texture and interest.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the atmosphere.

color palette

primary · raw umber · ivory black · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna

Mix raw umber and ivory black for the dark areas of the interior. Use titanium white and ultramarine blue for the moonlit sky, adding small amounts of yellow ochre for the moon's glow. Mix burnt sienna and raw umber for the warm tones of the arches.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value structure.
  • →Overworking the details too early in the process.
  • →Not creating enough contrast between the light and shadow.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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oil painting for beginners →how to learn by studying the masters →
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