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home·artworks·Nuns Convent of the Sacred Heart in Rome
Nuns Convent of the Sacred Heart in Rome by Karl Bryullov

plate no. 1685

Nuns Convent of the Sacred Heart in Rome

Karl Bryullov, 1849

oilRomanticismgenre paintingnunsfiguresorganmusicinteriorarchitecture
some experience helpful

Recreating this painting will help students develop skills in rendering figures with drapery and understanding subtle color variations to create realistic skin tones. It also provides practice in depicting architectural details and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the organ.

  2. step 02

    Establish the background with light washes of color, paying attention to the architectural details.

  3. step 03

    Block in the main shapes of the figures, using a limited palette of earth tones and white.

  4. step 04

    Begin refining the figures, adding details to the faces and drapery.

  5. step 05

    Develop the organ, paying attention to the details of the keys, pipes, and ornamentation.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details of the background and foreground, adding subtle color variations.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red light · yellow ochre · ultramarine blue

Mix various shades of skin tones using white, raw sienna, and a touch of cadmium red. Create the black fabric with ivory black and a hint of burnt umber. Muted reds are achieved by mixing cadmium red with burnt umber and white.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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oil painting for beginners →how to learn by studying the masters →
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