apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Nude Baby on Mother`s Lap Resting Her arm on the Back of the Chair
Nude Baby on Mother`s Lap Resting Her arm on the Back of the Chair by Mary Cassatt

plate no. 4157

Nude Baby on Mother`s Lap Resting Her arm on the Back of the Chair

Mary Cassatt, 1913

pastelImpressionismgenre paintingfiguremotherchildportraitchairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating soft, blended effects with pastels. It also encourages observation of subtle value changes to create form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and chair.

  2. step 02

    Establish the background color with broad strokes of green and brown pastel.

  3. step 03

    Block in the main areas of color for the mother's dress (white), the child's skin (yellows, pinks), and the chair (greens, whites).

  4. step 04

    Begin layering colors to build up the skin tones, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the mother's face, focusing on the eyes, nose, and mouth.

  6. step 06

    Add texture to the dress with short, broken strokes of white and gray pastel.

  7. step 07

    Refine the edges of the figures and chair to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · yellow ochre · raw sienna · white · emerald green

secondary · burnt sienna · rose madder · ultramarine blue · gray

Mix yellow ochre, raw sienna, and white for the base skin tone. Add touches of rose madder for warmth and ultramarine blue for shadows. Mix greens with yellow and blue, adding brown for darker shades.

techniques

  • ·pastel blending
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the pastel and losing the soft, blended effect.
  • →Using too much pressure and creating a chalky texture.
  • →Failing to establish accurate proportions in the initial sketch.
  • →Not paying attention to subtle value changes in the skin tones.

materials

surface · Pastel paper (toned)

required

  • ·Pastel set (soft pastels)
  • ·Pastel paper (toned)
  • ·Kneaded eraser
  • ·Blending stumps or tortillions
  • ·Fixative spray
  • ·Pencil
  • ·Ruler
  • ·Workable fixative

optional

  • ·Palette knife
  • ·Easel
  • ·Reference photo print

Choose a pastel paper with a slightly rough texture to grip the pastel. A toned paper will help to create a more harmonious color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann