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home·artworks·November Morning
November Morning by T. C. Steele

plate no. 2496

November Morning

T. C. Steele, 1904

oil, canvasImpressionismlandscaperiverlandscapetreesskybuildingshills
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and layering brushstrokes to create texture and depth. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the river and buildings.

  2. step 02

    Block in the sky with light blues and whites, using short, broken brushstrokes.

  3. step 03

    Establish the distant hills with muted greens and blues, creating a sense of atmospheric perspective.

  4. step 04

    Paint the trees and foliage with a mix of browns, greens, and yellows, using varied brushstrokes to suggest texture.

  5. step 05

    Block in the river with blues and greens, paying attention to the reflections and highlights.

  6. step 06

    Add details to the buildings, using small brushstrokes to define their shapes and values.

  7. step 07

    Refine the foreground with details of the riverbank and vegetation, adding texture and interest.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red · viridian green

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and ultramarine blue to create dark browns and grays. Mix greens with yellow ochre and ultramarine blue.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too saturated and not capturing the muted tones of the scene.
  • →Failing to create a sense of depth and atmospheric perspective.
  • →Not varying brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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