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home·artworks·November Moonlight
November Moonlight by John Atkinson Grimshaw

plate no. 3086

November Moonlight

John Atkinson Grimshaw

oil, canvasRomanticismlandscapestreetbuildingtreeshorse carriagefogmoonlight
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth using subtle value changes. It also provides practice in rendering intricate details like bare tree branches and cobblestone streets.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, street, and trees.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the building and the wall, using darker values for shadows and lighter values for highlights.

  4. step 04

    Begin adding details to the building, such as windows, architectural features, and textures.

  5. step 05

    Paint the trees, starting with the larger branches and gradually adding smaller twigs.

  6. step 06

    Render the cobblestone street, using a variety of grays and browns to create texture and depth.

  7. step 07

    Add the horse carriage and figure, paying attention to their scale and placement within the scene.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere and depth.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ultramarine blue

Achieve the muted tones by mixing black, umber, and white. Add small amounts of yellow ochre or blue to adjust the temperature of the grays.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the atmospheric perspective and creating a flat, lifeless image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a high-quality canvas with a smooth surface for best results. Consider using a toned canvas to help establish the overall value structure.

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