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home·artworks·November Afternoon, Stapleton Park
November Afternoon, Stapleton Park by John Atkinson Grimshaw

plate no. 8887

November Afternoon, Stapleton Park

John Atkinson Grimshaw

oilRomanticismlandscapetreespathfigurewallautumnlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color and value changes. Students will also learn how to paint convincing tree branches and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the path, trees, and wall.

  2. step 02

    Establish the overall warm, golden tone of the sky with a thin wash.

  3. step 03

    Block in the main shapes of the trees and wall, using darker values.

  4. step 04

    Begin adding details to the trees, paying attention to the branching patterns.

  5. step 05

    Develop the path with varying shades of brown and orange, suggesting fallen leaves.

  6. step 06

    Add the figure in the distance, keeping it simple and indistinct.

  7. step 07

    Refine the details of the wall and foliage, adding highlights and shadows.

  8. step 08

    Add final touches to the atmospheric perspective, softening edges in the distance.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · raw sienna · payne's gray · cadmium orange

Achieve the golden sky by mixing yellow ochre and white, with a touch of burnt sienna. Use burnt umber and payne's gray for the darker tones of the trees and wall. Mix raw sienna and cadmium orange for the leaves on the path.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Overworking the details in the background, losing the atmospheric effect.
  • →Making the colors too saturated, resulting in a less realistic look.
  • →Ignoring the subtle value changes that create depth.
  • →Not establishing a strong sense of perspective in the path.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the atmospheric effects.

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