
plate no. 3040
Francis Picabia, 1906
Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture the effect of light on a complex architectural subject. It also provides practice in simplifying complex forms into basic shapes and applying broken color.
technical profile
approach — 8 steps
Begin with a light sketch of the basic shapes of Notre Dame, focusing on the towers and main facade.
Establish the horizon line and the placement of the trees and surrounding buildings.
Block in the main color masses for the sky, building, and foliage using thin washes.
Start building up layers of color with short, broken brushstrokes, focusing on capturing the light and shadow.
Mix colors directly on the canvas to create a sense of vibrancy and movement.
Pay attention to the details of the architectural elements, but avoid over-defining them.
Add highlights and shadows to enhance the three-dimensionality of the building.
Refine the foreground details, such as the trees and figures, using small, expressive brushstrokes.
color palette
primary · yellow ochre · ultramarine blue · burnt sienna · titanium white
secondary · sap green · cadmium yellow · alizarin crimson
Achieve the warm tones of the building by mixing burnt sienna with yellow ochre and a touch of alizarin crimson. Create the cool shadows by mixing ultramarine blue with burnt sienna and white. Use white to lighten and brighten colors, creating a sense of luminosity.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.
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