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home·artworks·Notre Dame, the Effect of Sunlight
Notre Dame, the Effect of Sunlight by Francis Picabia

plate no. 3040

Notre Dame, the Effect of Sunlight

Francis Picabia, 1906

oil, canvasImpressionismcityscapebuildingarchitecturecityscapeNotre Dametreessky
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture the effect of light on a complex architectural subject. It also provides practice in simplifying complex forms into basic shapes and applying broken color.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the basic shapes of Notre Dame, focusing on the towers and main facade.

  2. step 02

    Establish the horizon line and the placement of the trees and surrounding buildings.

  3. step 03

    Block in the main color masses for the sky, building, and foliage using thin washes.

  4. step 04

    Start building up layers of color with short, broken brushstrokes, focusing on capturing the light and shadow.

  5. step 05

    Mix colors directly on the canvas to create a sense of vibrancy and movement.

  6. step 06

    Pay attention to the details of the architectural elements, but avoid over-defining them.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the building.

  8. step 08

    Refine the foreground details, such as the trees and figures, using small, expressive brushstrokes.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · sap green · cadmium yellow · alizarin crimson

Achieve the warm tones of the building by mixing burnt sienna with yellow ochre and a touch of alizarin crimson. Create the cool shadows by mixing ultramarine blue with burnt sienna and white. Use white to lighten and brighten colors, creating a sense of luminosity.

techniques

  • ·broken color
  • ·impasto
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing on the palette.
  • →Failing to capture the effect of light and shadow.
  • →Not simplifying the complex architectural details.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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