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home·artworks·Norwich River: Afternoon
Norwich River: Afternoon by John Crome

plate no. 4702

Norwich River: Afternoon

John Crome, 1819

oil, canvasRomanticismlandscaperiverbuildingstreesboatfiguressky
some experience helpful

Recreating this painting will develop skills in atmospheric perspective and rendering reflections in water. Students will also practice creating depth through layering and color variation.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, trees, and river.

  2. step 02

    Establish the sky with a light blue wash, blending slightly darker tones near the horizon.

  3. step 03

    Block in the large shapes of the buildings and trees using simplified color masses.

  4. step 04

    Begin layering details on the buildings, focusing on the variations in color and texture of the roofs and walls.

  5. step 05

    Add the reflections in the water, paying attention to the distortion and color variations.

  6. step 06

    Paint the trees, using a variety of greens and browns to create depth and texture.

  7. step 07

    Add the figures in the boat and the details of the surrounding foliage.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere and depth.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ivory black · cadmium yellow light

Mix various shades of green by combining yellow ochre, ultramarine blue and raw umber. Use white to lighten colors and create atmospheric effects. Create the reflections by mixing the colors of the objects with a touch of blue and white.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·broken color
  • ·scumbling
  • ·rendering reflections

common pitfalls

  • →Overworking the details too early
  • →Making the reflections too perfect and symmetrical
  • →Ignoring the subtle color variations in the shadows
  • →Not establishing a strong value structure

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to achieve color harmony.

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oil painting for beginners →how to learn by studying the masters →
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