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home·artworks·Norwegian Waterfall
Norwegian Waterfall by Louis Gurlitt

plate no. 9274

Norwegian Waterfall

Louis Gurlitt, 1835

oil, canvasRomanticismlandscapewaterfallrockstreesmountainsfoliagesky
some experience helpful

Recreating this painting will help students develop skills in rendering realistic water movement and creating depth through atmospheric perspective. It also provides practice in depicting varied textures of rocks and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, rocks, and distant mountains.

  2. step 02

    Establish the sky and distant mountain range with soft, blended tones of gray and blue.

  3. step 03

    Block in the large shapes of the rocks and cliffs, using darker values for shadows and lighter values for highlights.

  4. step 04

    Begin layering the foliage, starting with darker greens and adding highlights with lighter, warmer greens.

  5. step 05

    Focus on the waterfall, building up layers of white and light blue to create the illusion of movement and volume.

  6. step 06

    Add details to the rocks, such as cracks, crevices, and moss, using dry brush techniques.

  7. step 07

    Refine the foliage with smaller brushstrokes and varied colors to create texture and depth.

  8. step 08

    Add final highlights and shadows to the waterfall and surrounding landscape to enhance the sense of realism.

color palette

primary · titanium white · ultramarine blue · burnt umber · sap green

secondary · yellow ochre · raw sienna · payne's gray

Mix various shades of green by combining sap green with yellow ochre or burnt umber. Create atmospheric perspective by adding white and blue to distant colors.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much pure white in the waterfall, resulting in a flat appearance.
  • →Ignoring the subtle color variations in the rocks and foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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