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home·artworks·Norwegian Shore in Moonlight
Norwegian Shore in Moonlight by Knud Baade

plate no. 5056

Norwegian Shore in Moonlight

Knud Baade, 1851

oilRomanticismlandscapeoceancloudsrocksboatfiguresmoonlight
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create the illusion of light reflecting on water. It also provides practice in rendering complex cloud formations and rocky landscapes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, rocks, boat, and clouds.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar neutral color.

  3. step 03

    Block in the main areas of color: the sky, clouds, water, and land, using a limited palette.

  4. step 04

    Begin refining the cloud formations, paying attention to the subtle gradations of light and shadow.

  5. step 05

    Develop the rocky landscape, adding texture and detail with dry brush techniques.

  6. step 06

    Paint the water, capturing the reflections of the moonlight and the movement of the waves.

  7. step 07

    Add the figures in the boat, keeping them small and in proportion to the overall scene.

  8. step 08

    Refine the details and add highlights to create a sense of depth and realism.

color palette

primary · titanium white · ivory black · yellow ochre

secondary · burnt umber · ultramarine blue · raw sienna

Achieve the subtle grays and browns by mixing black, white, and yellow ochre. Use small amounts of blue to cool down the grays and create atmospheric depth.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the clouds and losing the sense of atmosphere.
  • →Making the water too uniform and lacking in movement.
  • →Creating too much contrast in the foreground, flattening the image.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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