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home·artworks·Norwegian Highlands
Norwegian Highlands by Hans Gude

plate no. 6456

Norwegian Highlands

Hans Gude, 1857

oilRomanticismlandscapelandscapemountainscloudslakerocksbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering. Students will also learn to mix subtle color variations to depict realistic cloud formations and rocky terrain.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Block in the sky with broad strokes, establishing the light and dark areas of the clouds.

  3. step 03

    Establish the distant mountains with a thin wash of cool grays and blues.

  4. step 04

    Begin layering in the mid-ground, focusing on the shapes and values of the rocks and vegetation.

  5. step 05

    Add details to the foreground rocks, using a variety of brushstrokes to create texture.

  6. step 06

    Paint the lake, reflecting the colors of the sky and surrounding landscape.

  7. step 07

    Add small details like the buildings and figures to create a sense of scale and interest.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights to create depth and dimension.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · cadmium yellow · alizarin crimson · ivory black

Mix various shades of gray and blue for the sky and distant mountains. Use burnt umber and yellow ochre for the rocks, adding touches of alizarin crimson for warmth. Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the clouds, resulting in a muddy or flat appearance.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated, resulting in an unrealistic look.
  • →Ignoring the subtle value changes in the rocks and vegetation.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, titanium white, burnt umber, yellow ochre, alizarin crimson, cadmium yellow, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Experiment with different brushstrokes to create a variety of textures.

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oil painting for beginners →how to learn by studying the masters →
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