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home·artworks·Norwegian Harbor of Refuge Or Port of Refuge on the Norwegian Coast
Norwegian Harbor of Refuge Or Port of Refuge on the Norwegian Coast by Hans Gude

plate no. 6932

Norwegian Harbor of Refuge Or Port of Refuge on the Norwegian Coast

Hans Gude, 1873

oilRomanticismmarinaboatsseafiguresbuildingsrockssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures like water and rock formations. It also provides practice in depicting figures and boats in a believable way.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the horizon line, the placement of the boats, rocks, and buildings.

  2. step 02

    Block in the large shapes of the sky, water, and land masses with thin washes of color, focusing on the overall value structure.

  3. step 03

    Develop the sky with soft gradations of color, creating a sense of depth and atmosphere.

  4. step 04

    Work on the water, building up layers of color and texture to suggest movement and waves.

  5. step 05

    Add details to the boats, figures, and buildings, paying attention to their forms and proportions.

  6. step 06

    Refine the rock formations, adding highlights and shadows to create a sense of volume and texture.

  7. step 07

    Add final details such as rigging, reflections, and small figures to enhance the realism of the scene.

  8. step 08

    Glaze with thin layers to unify the painting and adjust values as needed.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre · cadmium red light

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and titanium white. Use burnt sienna and yellow ochre to create warm highlights on the rocks and buildings. Add small amounts of cadmium red light to create the red buildings.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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