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home·artworks·Northern landscape
Northern landscape by Lev Lagorio

plate no. 7926

Northern landscape

Lev Lagorio, 1872

oil, canvasRomanticismlandscapeseaskybuildingswavesrocksboat
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the movement of water. It also provides practice in rendering architectural forms and natural textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of key elements like the buildings and the boat.

  2. step 02

    Block in the sky with light blues and grays, creating a sense of depth and atmosphere.

  3. step 03

    Establish the landmass with a base layer of greens and browns, varying the tones to suggest form.

  4. step 04

    Begin layering the water, using blues, greens, and whites to capture the movement of the waves.

  5. step 05

    Add details to the buildings, paying attention to the light and shadow.

  6. step 06

    Refine the rocks and foliage, adding texture and detail with smaller brushstrokes.

  7. step 07

    Paint the boat and figures, using darker tones to make them stand out against the water.

  8. step 08

    Add final highlights and details to the waves and sky to complete the painting.

color palette

primary · Prussian blue · Titanium white · Burnt umber

secondary · Yellow ochre · Sap green · Payne's gray

Mix blues and whites for the sky and water, adding small amounts of umber to create grays. Use yellow ochre and sap green for the land, and umber and white for the buildings.

techniques

  • ·Atmospheric perspective
  • ·Wet-on-dry blending
  • ·Broken color
  • ·Scumbling
  • ·Impasto

common pitfalls

  • →Overworking the details in the sky, resulting in a flat and lifeless appearance.
  • →Failing to capture the movement of the water, making it look static and unnatural.
  • →Ignoring the subtle color variations in the landmass, resulting in a monotonous tone.
  • →Losing the sense of depth and atmosphere by using too much contrast in the background.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (Prussian blue, Titanium white, Burnt umber, Yellow ochre, Sap green, Payne's gray)
  • ·Round brushes (#2, #4, #6)
  • ·Flat brushes (#6, #8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Painting medium (Liquin)
  • ·Easel

Use high-quality oil paints for best results. Pre-toned canvas can help establish mid-tones.

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oil painting for beginners →how to learn by studying the masters →
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