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home·artworks·Northern Landccape (Flinders Ranges Landscape with Rain Approaching)
Northern Landccape (Flinders Ranges Landscape with Rain Approaching) by Horace Trenerry

plate no. 3100

Northern Landccape (Flinders Ranges Landscape with Rain Approaching)

Horace Trenerry, 1930

oilImpressionismlandscapelandscapefieldtreesmountainsskyclouds
some experience helpful

This painting is great for practicing layering colors and creating texture with visible brushstrokes. Students can learn to simplify complex scenes into basic shapes and color blocks.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountains and trees.

  2. step 02

    Block in the sky with light blue and gray tones, using horizontal brushstrokes.

  3. step 03

    Establish the mountain range with a dark blue-purple mix, varying the value to suggest depth.

  4. step 04

    Paint the distant field with a base layer of yellow-ochre.

  5. step 05

    Add vertical strokes of orange, brown, and yellow to create the texture of the field.

  6. step 06

    Paint the foreground with a mix of green, blue, and gray, using vertical strokes to represent the grass.

  7. step 07

    Add details to the trees, using a mix of greens, browns, and blues.

  8. step 08

    Refine the details and add highlights to create a sense of light and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · cadmium orange · sap green

Mix ultramarine blue with burnt umber for the mountain shadows. Use yellow ochre and cadmium orange for the field. Mix white with blues and grays for the sky.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overblending the colors, which can flatten the image.
  • →Making the mountain range too uniform in color and value.
  • →Ignoring the subtle color variations in the field.
  • →Losing the sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette to simplify the color mixing process. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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