
plate no. 4578
Tom Thomson, 1913
Recreating this painting will help students develop skills in impasto brushwork and creating depth through atmospheric perspective. It also provides practice in mixing muted colors and capturing the texture of natural elements.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the horizon line, trees, and rocks.
Block in the sky with broad strokes of grey and blue, creating a sense of cloud cover.
Establish the dark tones of the lake using a mix of dark greens and blues, adding highlights to suggest water movement.
Paint the distant shoreline with dark greens and browns, softening the edges to create atmospheric perspective.
Develop the rocks in the foreground using a range of browns, ochres, and greys, paying attention to the direction of light.
Add the bare trees, using thin, gestural strokes to capture their delicate branches.
Refine the details of the rocks and foliage, adding small touches of color and texture.
Add final highlights to the water and rocks to create a sense of depth and realism.
color palette
primary · ultramarine blue · burnt umber · titanium white · yellow ochre
secondary · viridian green · raw sienna
Achieve the muted tones by mixing complementary colors (e.g., blue and orange, green and red) with white. Darken colors with burnt umber and lighten with titanium white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to enhance the impasto effect. Consider using a limited palette to simplify the color mixing process.
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