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Northern Lake by Tom Thomson

plate no. 4578

Northern Lake

Tom Thomson, 1913

oil, canvasArt Nouveau (Modern)landscapelaketreesrocksskylandscapewater
some experience helpful

Recreating this painting will help students develop skills in impasto brushwork and creating depth through atmospheric perspective. It also provides practice in mixing muted colors and capturing the texture of natural elements.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, trees, and rocks.

  2. step 02

    Block in the sky with broad strokes of grey and blue, creating a sense of cloud cover.

  3. step 03

    Establish the dark tones of the lake using a mix of dark greens and blues, adding highlights to suggest water movement.

  4. step 04

    Paint the distant shoreline with dark greens and browns, softening the edges to create atmospheric perspective.

  5. step 05

    Develop the rocks in the foreground using a range of browns, ochres, and greys, paying attention to the direction of light.

  6. step 06

    Add the bare trees, using thin, gestural strokes to capture their delicate branches.

  7. step 07

    Refine the details of the rocks and foliage, adding small touches of color and texture.

  8. step 08

    Add final highlights to the water and rocks to create a sense of depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · viridian green · raw sienna

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, green and red) with white. Darken colors with burnt umber and lighten with titanium white.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·dry brushing

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, burnt umber, titanium white, yellow ochre, viridian green, raw sienna)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a canvas with a medium texture to enhance the impasto effect. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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