apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·North Shore, Lake Superior
North Shore, Lake Superior by Franklin Carmichael

plate no. 1249

North Shore, Lake Superior

Franklin Carmichael, 1927

oilArt Nouveau (Modern)landscapelakeskymountainsrockslandscapewater
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in light and shadow, as well as layering techniques to create depth and form in the landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, shoreline, and sky.

  2. step 02

    Block in the sky with light blues and whites, creating horizontal bands.

  3. step 03

    Establish the base colors for the mountains and rocks, focusing on the overall value structure.

  4. step 04

    Layer darker tones to define shadows and create depth in the mountains and rocks.

  5. step 05

    Add highlights to the mountains and rocks to suggest form and light.

  6. step 06

    Paint the water with shimmering highlights and reflections, using short, broken brushstrokes.

  7. step 07

    Refine the details of the shoreline and add any final touches to the composition.

  8. step 08

    Let it dry and add a varnish

color palette

primary · cerulean blue · ultramarine blue · yellow ochre · titanium white

secondary · burnt umber · viridian green · cadmium yellow

Mix blues and white for the sky, adding a touch of yellow ochre for warmth. Use burnt umber and viridian green to create the dark tones in the mountains, and mix yellow ochre and white for highlights.

techniques

  • ·layering
  • ·color mixing
  • ·scumbling
  • ·blending
  • ·glazing

common pitfalls

  • →Overblending, which can flatten the forms.
  • →Using too much dark paint too early, which can make the painting look muddy.
  • →Neglecting the subtle color variations in the sky and water.
  • →Not establishing a clear value structure before adding details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·painting gloves

Use a smooth canvas for easier blending. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois