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home·artworks·North east view from the top of Mt Kosciusko
North east view from the top of Mt Kosciusko by Eugene von Guerard

plate no. 5808

North east view from the top of Mt Kosciusko

Eugene von Guerard, 1866

oilRomanticismlandscapemountainsrockssnowskyfigureslandscape
some experience helpful

This painting offers practice in creating atmospheric perspective and rendering complex rock formations. Students can learn to simplify a landscape into layers and use subtle color variations to create depth.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and rock formations, paying attention to perspective.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the sky with light washes of color, creating subtle cloud formations.

  4. step 04

    Paint the distant mountains with diluted colors to create atmospheric perspective.

  5. step 05

    Begin layering colors on the foreground rocks, using darker values for shadows and lighter values for highlights.

  6. step 06

    Add the snow patches, paying attention to how they conform to the landscape.

  7. step 07

    Paint the figures in the foreground, keeping them relatively small in scale.

  8. step 08

    Add final details and highlights to the rocks and snow to create texture and depth.

color palette

primary · raw umber · titanium white · payne's gray

secondary · yellow ochre · burnt sienna · cerulean blue

Mix raw umber and white for the rocks, adding touches of yellow ochre for warmth. Use Payne's gray diluted with water for the sky and distant mountains. Mix white with a touch of cerulean blue for the snow.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·value studies
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant mountains, losing the atmospheric perspective.
  • →Making the colors too saturated, resulting in a less realistic landscape.
  • →Ignoring the subtle value shifts in the rocks, creating a flat appearance.
  • →Not paying attention to the perspective of the rock formations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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