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home·artworks·North-east view from the northern top of Mount Kosciusko
North-east view from the northern top of Mount Kosciusko by Eugene von Guerard

plate no. 8917

North-east view from the northern top of Mount Kosciusko

Eugene von Guerard, 1863

oilRomanticismlandscapemountainsrocksskycloudsfiguressnow
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict realistic rock formations. It also provides practice in rendering subtle color variations in clouds and distant mountains.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the mountains and the horizon line.

  2. step 02

    Establish the major value areas, blocking in the darks of the rocks and the lights of the snow and sky.

  3. step 03

    Begin painting the sky, blending the colors to create a soft, atmospheric effect.

  4. step 04

    Paint the distant mountains, using lighter and cooler colors to create a sense of depth.

  5. step 05

    Work on the foreground rocks, adding details and texture to create a sense of realism.

  6. step 06

    Add the snow, paying attention to the way it reflects light and shadow.

  7. step 07

    Paint the figures, keeping them small and in proportion to the landscape.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · raw sienna · payne's gray

Mix various shades of gray and brown for the rocks. Use white to lighten the blues and browns for the sky and distant mountains. Add a touch of yellow ochre to the white for the snow to give it warmth.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value structure.
  • →Overworking the details in the foreground.
  • →Making the colors too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·retouch varnish
  • ·easel
  • ·painting medium

Use a high-quality canvas and oil paints for best results. Consider using a medium to improve the flow of the paint.

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oil painting for beginners →how to learn by studying the masters →
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