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home·artworks·Noon
Noon by George Henry

plate no. 4195

Noon

George Henry, 1885

oilImpressionismgenre paintingfiguretreescowslandscapefieldfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as capturing the effects of light filtering through foliage. It will also help with depicting figures and animals in a natural setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, trees, and cows.

  2. step 02

    Establish the overall color scheme with a thin wash of warm undertones.

  3. step 03

    Block in the main shapes of the trees, figure, and cows using simplified color masses.

  4. step 04

    Begin layering colors to build depth and dimension in the foliage and ground.

  5. step 05

    Add details to the figure's clothing and facial features, paying attention to light and shadow.

  6. step 06

    Refine the shapes and colors of the cows, capturing their form and texture.

  7. step 07

    Add highlights and shadows to create a sense of light and atmosphere.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · raw sienna

Mix burnt umber and yellow ochre for warm browns and earth tones. Add titanium white to lighten colors and create highlights. Use ultramarine blue sparingly to cool down the palette and create shadows.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong sense of light and shadow.
  • →Ignoring the overall color harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw sienna oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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